Thursday, August 30, 2018

SAYS TINA: an experiment (1978)

a sestina  

Walking is forgotten dancing.
I’m hidden in the shadows
avoiding fingers, hair and eyes
and arms that might cast
stones, or break my violet
quiet, forcing me against the wall.

I move with rippling sleekness on the wall
like a cat whose dancing
hip bones bring a violet
tint out of the shadows
in the black fur: a purple cast
that melts to black before your eyes.

But this is the voyage of my eyes
as I move next to the wall.
Carefully my glance is cast
to trap the forms dancing
into the light haloes, from the shadows.
The human form is a single violet

blossoming in a valley where  a violet
never grew. The glint of eyes
are seeds that threaten shadows,
threaten to push them to the wall
and to include even me in the dancing,
to make me a member of the cast.

But ages ago my life was cast
and nothing, not even the violet
color that I can see dancing
in your stranger’s eyes
will free me from this reliable wall
or from these comforting shadows.

A watcher was meant to live in shadows.
It thrills the blood like the cast of dice against the rough wall
tumbling into a spot of violet
motor oil, and then straining the eyes
to see, through the stain, the spots dancing.

My eyes cast
violet shadows
on the dancing wall.

Tim Fitzmaurice